Bells
Race is a weird thing. On the one hand,
it is entirely a collective fiction, easily disproven with DNA
samples and historical evidence. We are all clearly interrelated many
times over, both in terms of common origins and repeated cross
contacts, even after seeming “racial groups” formed. We all have similar drives and yearnings. And when dealing with one another on a daily basis, it is clear that we are not races but simply people.
Yet, for a little “white” girl on
an “Indian” reservation on Cultural Appreciation day, race is
very, very real. Watching the other kids wear their Native clothing,
tell their Native tales, and sing their Native songs, I was kind of
an outsider, an observer. I was allowed to watch silently, but I felt
that any attempt to participate would have been met with mockery.
When a teacher asked me why I wasn't expressing my culture on one of
those days, I pointed to my T shirt and blue jeans, and simply said,
“I am. I display my culture every day.”
Yet, there is a richness of experience
in other cultures that white folks seem to have lost. Yes, we have
opera, classical music, and fine dining with lots of utensils. But
that just doesn't compare to the call of a Pow-wow drum, echoing off
the hills. It is a sound that I remember fondly from Tribal Fair
Days. We could hear the rhythms, the thumping, the singing, and the
war whoops for most of the night, even with the fair being a couple
of miles away.
And actually being there was just
entrancing. The colorful costumes, the big, bright feathers, and
those men with their beautiful legs just dancing. Feathers and colors
flying and spinning into a blur. And the ladies shawl dances that
turn an ordinary shawl into a crazy swirl of color mixing with the
ladies' long black hair. And the bells that some of the dancers wore
on their legs. A guy just walking over to a booth for some fry bread
could make quite a commotion with those bells. I wished that I could
dance. I wished that I could show my colors. I wished that I could
shake my bells.
But I knew that I didn't belong. Even
worse, I felt that I had no culture of my own to share. What is
“white culture” anyway? When do we dress up in crazy costumes and
dance around, kicking up dust that can be seen from afar through the
nighttime lighting? When do we stay up pounding drums and singing
until both hands and ears are numb? When do we simply celebrate the
fact that we are living, breathing creatures who sing and dance just
because we can? When do we ever wear bells?
I'm sure that some neo-Nazi, white
supremecist would tell me that “whites” have a culture. But
exclusion doesn't equal culture to me. Instead, it represents a lack
of identity and a fear of that knowledge.
So why didn't I ever dance? I was
afraid of that exclusion. I was afraid that if I got out there,
someone would make fun of me, call me “biligaana”* or
“Wannabe,”** or tell me to go back to where I came from. Not
everyone talked to me that way. Many Navajos were open and kind. But
there were enough who weren't to keep me intimidated.
I didn't say any of that when one of my
Navajo friends encouraged me to join in one of the all-dance songs. I
just said, “No, I don't think so.”
“Why not?” she encouraged. It will
be fun.
“I have no costume. I don't know how
to do it. ...And in case you haven't noticed, I'm white.”
“It will be OK,” she said. “You
can borrow a shawl. I'll go with you.”
I was sure that she must be teasing me
or maybe setting me up for some embarrassing scene. I shook my head.
“No, I'll just watch. You go ahead.”
So she left me to join in all the fun
and the flying dust. And I hoped that not too many people were
noticing the anglo girl alone at the Pow wow. I refrained from moving
to the rhythm or showing too much pleasure. I thought if I got into
it too much, people might think I was a tourist, or a hippie, or a
dreaded Wannabe—all words that I had heard used derisively.
Thirty five years later, I realize I'm
probably a bit of all three of those things. I like being a tourist,
going places, and learning about different local customs. I am kind
of a hippie, riding my bicycle all over town, preaching “make love
and not war,” and digging on flowers. And I am probably a bit of a
wannabe, too. I still hunger for that sense of connection based on
shared humanity, for rituals that bring me closer to both humans and
nature, for expression and appreciation of rhythm, sound and color,
and for a sense of belonging.
I wannabe connected to life.
I wannabe safe to be myself in a
community.
And maybe I just wannabe wearing some
bells sometimes.
And last night, for the first time
ever, I did. In an informal drum circle organized by some anglo
hippie friends, I found some rows of bells to tie onto my ankles.
Hesitant at first to dance, I just shook my feet while sitting in a
chair. Up crept the same old fear that someone would tell me that I
didn't belong, that I would look stupid, or that I would mess up and
lose my rhythm. But as the mesmerizing beats continued, I felt a
little bolder and bolder until I finally got up and began to dance
around the circle.
My feet somehow caught the crazy beat
they were doing, and it got really fun. Then the drummers started
going faster, and then faster, and then faster, as my feet followed.
By the end, it was like my feet had been taken over by the beat of
super rapid drumming. They were just running and pounding the ground,
shaking those bells like mad. And then it all stopped, leaving me
panting and amazed that it just
happened.
Last night, I put
bells on and danced. And for a short time, I didn't care how stupid
it would look for a white girl to dance with bells on. Plus, I think
those old hippie white guys kind of liked it.
Maybe I'm not a
Wannabe anymore.
Maybe I'm a
Justbein'me.
For those
unfamiliar with the terms:
- “biligaana,” according to the Navajos I've asked, simply means anglo or white person. For years, I thought it held a much more derogatory meaning, probably due to the tone of voice I sometimes I heard when it was being said.
- “wannabe,” refers to a biligaana who wants to be a Native American. It is meant in a derogatory way, usually because the “wannabe” has little knowledge of Native American reality and is primarily fascinated with romantic, stereotyped notions of Native American culture.
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